SET + COSTUME DESIGN 

  • 30+ Productions at the Oregon Shakespeare Festival including the world premieres of All The Way, The Great Society, Head Over Heels (The Go-Go’s Musical), Equivocation, Fingersmith, Unison by Universes & August Wilson, Throne of Blood based on the Kurosawa film which was also presented at the Brooklyn Academy of Music, The Tenth Muse. Other notable productions include The Clean House at Yale Rep and Lincoln Center and 8 world premiere productions with Culture Clash.
  • Broadway: All The Way Starring Bryan Cranston, 2014 Tony Award Best Play. This production marked the first Mexican-American to design on Broadway.
  • Regional Design Credits: Kennedy Center (Washington D.C.), Lincoln Center (NYC), Brooklyn Academy of Music, Center Theatre Group (Los Angeles), Goodman Theatre (Chicago), Seattle Rep, Yale Repertory Theatre, Berkeley Rep, Guthrie Theatre (Minneapolis), Denver Center Theatre, American Repertory Theatre (Boston), Arena Stage (Washington D.C.), La Jolla Playhouse, Children's Theater Company (Minneapolis), South Coast Rep, Pasadena Playhouse, Portland Center Stage, San Diego Rep, Artist Rep (Portland), and Cornerstone Theater Company as an ensemble member (2001-2006)

DESIGN PRODUCTION CREDITS

Indicates world premiere +

2018

+ The Year to Come La Jolla Playhouse | set design | Lindsey Ferrentino | directed by Anne Kauffman

Othello  Oregon Shakespeare Festival | set design | William Shakespeare | directed by Bill Rauch

The Book of Will  OSF | set design | Lauren Gunderson | directed by Christopher Liam Moore

West Side Story Guthrie Theater | set design | directed by Joe Haj


2017

Mojada: A Medea in Los Angeles Portland Center Stage/OSF | set + costume design | Luis Alfaro | directed by Juliette Carrillo

Zoot Suit CTG/Mark Taper Forum | set design | Luis Valdez | directed by Luis Valdez

Disney’s Beauty and the Beast OSF | set design | Menken, Ashman, Woolverton | directed by Eric Tucker

+ Unison OSF | set design | Universes & August Wilson | directed by Robert O’Hara


2016

Twelfth Night  OSF | set design | William Shakespeare | directed by Christopher Liam Moore

The Wiz OSF | set design | Charlie Smalls | directed by Robert O’Hara

Chavez Ravine: An LA Revival Center Theatre Group/KDTheatre | costume design | directed by Lisa Peterson | Ovation Award Best Design


2015

+ Fingersmith OSF/ART | set design | Alex Junge from Sarah Waters | directed by Bill Rauch

+ Cuba Libre Artist Repertory Theatre | set design | Tiempo Libre | directed by Dámaso Rodriguez

A Long Days Journey into Night OSF | set design | Eugene O’Neill | directed by Christopher Liam Moore

+ Head Over Heels OSF | set design | Jeff Whitty music by the Go Go’s | directed by Ed Sylvanus Iskander


2014

All The Way Seattle Repertory Theatre | set design | Robert Schenkkan | directed by Bill Rauch

+ The Great Society Seattle Repertory Theatre | set design | Robert Schenkkan | directed by Bill Rauch

+ A Wrinkle in Time Oregon Shakespeare Festival | set design | adapted and directed by Tracy Young


2013

King Lear Oregon Shakespeare Festival | set design | William Shakespeare | directed by Bill Rauch

A Streetcar Named Desire OSF | set design |Tennessee Williams | directed by Christopher Liam Moore

+ The Tenth Muse OSF | costume design | Tanya Saracho | directed by Laurie Woolery

All The Way American Repertory Theatre | set design | Robert Schenkkan | directed by Bill Rauch


2012

Waiting for Godot CTG/ Mark Taper Forum | costume design | Samuel Beckett | directed by Michael Arabian Ovation Nominee

+ The Body of an American PCS | set + costume design | Dan O’Brien | directed by Bill Rauch | Co-Winner of Kennedy Award

+ Seagull Oregon Shakespeare Festival | set design | Anton Chekov & Libby Appel | directed by Libby Appel

+ All the Way OSF | set design | Robert Schenkkan | directed by Bill Rauch | Co-Winner of Kennedy Award

+ Merry Wives of Windsor, Iowa OSF | set design | adaption Alison Carey | directed by Christopher Liam Moore


2011

The Language Archive Oregon Shakespeare Festival | set design | Julia Cho | directed by Laurie Woolery

+ The Imaginary Invalid OSF | set + costume design | Tracy Young & Obed Gross | directed by Tracy Young

Love’s Labours Lost OSF | set design | William Shakespeare | directed by Shana Cooper


2010

Hamlet Oregon Shakespeare Festival | set design | William Shakespeare | directed by Bill Rauch

Cat on a Hot Tin Roof OSF | set design | Tennessee Williams | directed by Christopher Liam Moore

Throne of Blood OSF/BAM | set design | Kurosawa and Ping Chong | directed by Ping Chong | Falstaff Award Winner

+ Palestine, New Mexico CTG/ Mark Taper Forum | costume design | Culture Clash | directed by Lisa Peterson


2009

+ Equivocation Oregon Shakespeare Festival | set design | Bill Cain | directed by Bill Rauch

Dead Man’s Cell Phone OSF | set design | Sarah Ruhl | directed by Christopher Liam Moore

All’s Well That Ends Well OSF | set design | William Shakespeare | directed by Amanda Dehnert

+ Peace  J. Paul Getty Museum | set design | Culture Clash | directed by Bill Rauch


2008

The Clay Cart Oregon Shakespeare Festival | set design | King Sudraka | directed by Bill Rauch

The Further Adventures of Hedda Gabler  OSF | set design | Jeff Whitty | directed by Bill Rauch

Othello Oregon Shakespeare Festival | costume design | William Shakespeare | directed by Lisa Peterson


2007

+ My Wandering Boy South Coast Rep | set design | Julie Marie Myatt | directed by Bill Rauch

Romeo and Juliet Oregon Shakespeare Festival | set design | William Shakespeare | directed by Bill Rauch

Breakfast, Lunch & Dinner Hartford Stage | costume design | Luis Alfaro | directed by Lisa Peterson

+ AYLI (As You Like It) Pasadena Playhouse/Cornerstone | set design | Alison Carey | directed by Bill Rauch


2006

+ The Clean House Lincoln Center Theatre | set design | Sarah Ruhl | directed by Bill Rauch

+ Zorro in Hell Berkeley Rep/La Jolla Playhouse | set design | Culture Clash | directed by Tony Taccone

+ Water and Power Mark Taper Forum/CTG | costume design | Culture Clash | directed by Lisa Peterson

+ The Falls  The Guthrie Theatre | set design | Jeffrey Hatcher | directed by Bill Rauch & Michael J. Garcés

+ The Further Adventures of Hedda Gabler South Coast Rep | set design | Jeff Whitty | directed by Bill Rauch

The Two Gentlemen of Verona OSF | set design | William Shakespeare | directed by Bill Rauch


2005

The Cherry Orchard Yale Repertory Theatre | set design |  Anton Chekov | directed by Bill Rauch

+ September Shoes Denver Center Theatre Company | set + costume design | José Cruz González | directed by Bill Rauch

Electricidad CTG/ Mark Taper Forum | costume design | Luis Alfaro | directed by Lisa Peterson | Garland Award Winner

A Long Bridge Over Deep Waters Cornerstone Theater/Ford Theater | set design | James Still | directed by Bill Rauch


2004

+ The Clean House Yale Rep | set design | Sarah Ruhl | directed by Bill Rauch

Habeas Corpus   South Coast Rep | set design | Alan Bennett | directed by Bill Rauch

Electricidad The Goodman Theatre costume design | Luis Alfaro | directed by Henry Godinez

+ As Vishnu Dreams East West Players/Cornerstone | set design | Shishir Kurup | directed by Juliette Carrillo


2003

The Wind Cries Mary East West Players | costume design | Phillip Kan Gotanda | directed by Lisa Peterson

+ Living Out Mark Taper Forum/CTG | set design | Lisa Loomer | directed by Bill Rauch

+ Chavez Ravine Mark Taper Forum/CTG | costume design | Culture Clash |  directed by Lisa Peterson

Nickel and Dimed The Guthrie Theatre | set design | Joan Holden | directed by Bill Rauch

Breakfast, Lunch and Dinner Mark Taper Forum/Taper too | set design | Luis Alfaro | directed by Michael John Garcés

La Posada Magica South Coast Rep | set design | Octavio Solis | directed by Diane Rodriguez


2002

True West Portland Center Stage | set design | Sam Shepard | directed by Henry Godinez 

+ Crossings Cornerstone Theater Company | site specific design | Various writers | directed by Steve Kent

The Winter’s Tale Kansas City Rep | set design | William Shakespeare | directed by Henry Godinez

+ Mary Shelly’s Santa Claus Cornerstone Theater Company | set design | Erik Ehn | directed by Mark Valdez

+ Misjudgment in Paris Old Globe/Malashock Dance Co. | set design | Allan Havis | choreography by John Malashock

The Blue Room The Pasadena Playhouse | set design | David Hare | directed by David Schweizer

Man of La Mancha The Western Stage | costume design | Dale Wasserman | directed by Lorenzo Aragon


2001

+ The Beard of Avon South Coast Rep | set design |  Amy Freed | directed by David Emmes

+ California Scenarios South Coast Repertory | site specific design | Luis Alfaro, Anne Garcia, José Cruz González, Joanne Frias, Richard Coca | directed by Juliette Carrillo

Peter Pan Great Lakes Theatre Festival | costume design | adaptation by Alison Carey | directed by Bill Rauch

+ Hold Please South Coast Rep | set design | Annie Weissman | directed by Mark Rucker

Spic-O-Rama Actors Theatre of Arizona | set + costume design | John Leguizamo | directed by Diane Rodriguez  AriZoni Award nomination

+ Zones Cornerstone Theater Company | costume design | Peter Howard | directed by Bill Rauch


2000

Zoot Suit The Goodman Theatre | set design | Luis Valdez | directed by Henry Godinez

The Countess South Coast Repertory | set design | Gregory Murphy directed by Juliette Carrillo west coast premiere

+ An Antigone Story Cornerstone Theater Company | site specific | written & directed by Shishir Kurup

+ For Here or To Go? Mark Taper Forum/Cornerstone | set design | Alison Carey directed by Bill Rauch

+ Zapata The Western Stage | costume design | Steinbeck screenplay directed by Lorenzo Aragon

Black Butterfly, Jaguar Girl, Piñata Woman & Other Mark Taper Forum/P.L.A.Y./Taper Too/Kennedy Center | set design | written & directed by Luis Alfaro

+ Drive My Coche Mark Taper Forum/Taper Too | set design | Roy Conboy | directed by Diane Rodriguez

Alexander and the Horrible, No Good, Very Bad Day The Children’s Theatre Company | set design | Judith Voist | directed by David Schweizer

+ Culture Clash Anthology San Diego Repertory Theatre/LATC | set + costume design | directed by Culture Clash


1999

Eyes for Consuela The Magic Theatre | set + costume design | Sam Sheperd | directed by Juliette Carrillo west coast premiere

El Paso Blue Venture Theatre/Philadelphia | set + costume design | Octavio Solis | directed by Tlaloc Rivas east coast premiere

+ AKA: A Beverly Hills Morality Tale   Cornerstone  Theater Company | costume design |Shem Bitterman directed by Bill Rauch

+  Marriage is Forever  San Diego Repertory Theatre | set design | Edit Villareal | directed by Sam Woodhouse


1998

+ Culture Clash in Bordertown San Diego Rep/Mark Taper Forum | set + costume design | Culture Clash directed by Sam Woodhouse

+ Fingered!   A.S.K. Common Ground Festival | costume design | Steve Cosson | directed by Steve Cosson

Deporting the Divas Theatre Rhinoceros/Esperanza | set + costume design | Guillermo Reyes | directed by Jorge Huerta

Sincerity Forever  Sledgehammer Theatre | set design | Mac Wellman | directed by Val Day | west coast premiere


1997

The Model Apartment La Jolla Playhouse | set design | Donald Margulies | directed by Mark Rucker 

Phaedra’s Love   Intersection for the Arts/S.F. | set design | Sarah Kane | directed by Steve Cosson | american premiere

Twelfth Night Central Coast Shakespeare Festival | set design | William Shakespeare | directed by Patricia M. Troxel

The Secret Lives of Clowns The Spiro Gallery | site specific | Carey Freidman | directed by Val Day

+  Seasons UCSD/Theatre 409 | set design | Melanie Marnich | directed by Michael Schwartz